Jon Corneal, a former member of the Flying Burrito Brothers and the International Submarine Band, brought his rich musical legacy to the Country Music Hall of Fame (CMHF) stage on August 4th in Nashville. Corneal’s career spans decades, having performed with icons like Dillard & Clark, the Glaser Brothers, Loretta Lynn, Connie Smith, Kitty Wells, the Wilburn Brothers, and even Warren Zevon. For this special event, he was joined by Jim Lauderdale, a Nashville mainstay in country, bluegrass, and Americana, who has released over thirty studio albums and written songs for the likes of Vince Gill, George Jones, Ralph Stanley, and George Strait. Rounding out the lineup were bassist Garry Tallant and guitarist Tim “Buster Cousins” Kelliher. The performance celebrated the “Western Edge: The Roots and Reverberations of Los Angeles CountryRock” exhibition, where Corneal’s iconic Nudie suit and a jacket once belonging to Gram Parsons are on display. “It’s an honor to have something of mine in the Country Music Hall of Fame,” Corneal said, reflecting on the exhibition, which will feature the suits on loan for a total of three and a half years. He described Gram’s Nudie jacket as red with submarines and torpedoes on it. He laughed, “He left the britches somewhere else!” Corneal shared that it was a full-circle moment, recalling when he lived in Nashville in the 60s. For this trip, he stayed at a Holiday Inn near “Record Row,” where all the labels and studios were and around the corner from where he used to live. Jim Lauderdale not only performed but also interviewed Corneal on stage between songs. “Jim’s sort of been my buddy,” Corneal noted, emphasizing Lauderdale’s efforts to bring his story to a wider audience. Corneal proudly claims his place in music history: “I was the first country-rock drummer, the first country-rock musician, singer, and producer— when I was just 19.” The August 4th show featured six songs, with Lauderdale on rhythm guitar and Corneal handling the drums and vocals. The audience packed the house, hanging on every note and story shared. When asked what it means to him to have had this experience, Corneal replied, “Well, it’s the recognition. It’s a revered institution. I remember visiting the original Hall of Fame and seeing Elvis’s white Cadillac with gold everything. Finally, somebody’s paying attention. Since social media, my career has come back to life.” Corneal still performs regularly, though he admits he’s not as strong or as breathy as in his younger days. He hopes to release a box set chronicling his life’s work and is working on a gospel album. His passion for music remains as vivid as ever, and his supporters have been there every step of the way. You can hear Jon play along with a group of musicians every Friday at Hillcrest Coffee in Lakeland. There are two shows, the first at noon, the second at 1:30 pm. They draw a crowd, so get there early and grab a seat to hear and watch the legendary Jon Corneal perform.

You can debate the luxuries of 4-D, surround sound, IMAX experiences, and electronic reclining chairs till the credits appear, but born-and-raised Polk County residents will tell you the best place to see a movie in town has none of those. They’ll wax poetic about the Silver Moon Drive-In, and its Americana theater experience: the smell of popcorn, a freshly baked pizza on your dash, the sound quality that can only be achieved by speakers in an enclosed space, the prices that simply cannot be beat, and of course, the double feature. If you ask Chip Sawyer, the president of Sun South Theaters, about what he thinks makes the experience so unique he’ll say, “being at the drive-in allows you to be creative on how you watch the movies. Many people back into their spots and open their trunk to lay in the back of their vehicle… or bring their favorite outdoor chair and sit in front! People can bring their well-behaved dogs, or small children that might not be able to stay awake through a full movie.” All of this and more is what makes the drive-in such a unique and cherished format of entertainment, and we as Central Floridians are privileged to have one such treasure still available to us. A Bit of History The Silver Moon Drive-In and Swap Shop has been a Lakeland staple for 76 years, opening in April of 1948 as the first of its kind in Lakeland. Originally run by I. Q. Mize and M. G. Waring, and sporting only one screen, theater goers could expect to pay only 35 cents per admission to see the Blist movies of the era, be bathed in sound from the 357 state-ofthe-art (at the time) RCA speakers, enjoy the newsreels of the day, and a short cartoon with each flick. Snacks were located at the snack bar, which was situated toward the front of the lot, and if you didn’t wish to get out of your car to order your treats, have no fear, for vendors would circulate throughout the show hawking candy, popcorn, soda pop, and other such tasty tidbits. However, just two years after the drive-in opened, tragedy struck in the form of a tornado, which demolished the original screen and nearly took the office and one of the owners with it! Recuperating relatively quickly, an article written by the Ledger later in that year states that the Silver Moon was still one of the most well attended attractions in Lakeland at the time. With four different feature films throughout the week, I don’t find it hard to imagine that Lakelander’s of the 1950’s might be tempted out of their homes time and time again. The Silver Moon did not acquire its trademark marquee and neon signage until 1952, when the theater’s new owner, Carl Floyd of Floyd Enterprises, took over and updated the facility with a concession stand and, all important, onsite restrooms. Two years later, another important name in the history of the Silver Moon would appear, Harold Spears. He joined the Floyd Enterprises family at the age of 25 as the manager-in-training for a Clearwater branch of the company. Spears would come to be a bigger part of the Silver Moon story in 1969, when he was named by Carl Floyd as the President of Floyd Enterprises. After Spear’s promotion, the next two decades would bring a lot of change in ownership to the theaters, being absorbed by one larger corporation and then another. This culminated in 1996 when Mastec (who owned them at the time), began closing and selling all the drive-in theaters they had acquired. At 60 years old, Spears wasn’t yet ready to retire and still loved the theater business he and his father worked in so much that he bought the Silver Moon and Joy Lan Drive-Ins to start his own small business: Sun South Theatres. It is thanks to Mr. Spears and his family that we still have this historic theater. Historic in more ways than one, as it has been passed on to the next generation. His grandson began working at the theater on the weekends in 2007, and over the next 10 years Chip Sawyer worked his way from concessions to manager. In 2017 after the passing of his grandfather, Sawyer was named the new President of the company, and so the legacy continues. Today‘s Drive-In As one of only four drive-in theaters (you read that right, FOUR!) still in operation in the Sunshine State, today’s Silver Moon boasts the traditional: two low powered radio stations which play the movies of the evening through your car speaker set up (with portable radios for rent for those who have none), as well as two screens which show a rotating selection of four flicks, seven nights a week! There’s more thought that goes into the movie selection process than one would think, as nearly 500 movies are released each year in the United States, which actually blows my mind. With only two screens to show that surplus of films on, the staff has to be pretty selective and find the best of the best. Having asked Sawyer how walk-in theaters impact the work he does at the drive-in, he answered me by highlighting the symbiosis of walk-in versus drivein theaters. “The success of walkins is actually critical! With the vast majority of sales from movies coming from walk-ins because of the amount of locations and their higher ticket prices, without walk-in theaters, the film industry simply wouldn’t survive. And without the film industry, drive-ins wouldn’t have the first-run movies they need to survive either.” When it comes down to it, I’d pick a double feature at the drivein over a traditional theater any day, especially after talking with their gracious staff. Ticket prices are still incredibly low ($8 for ages 10+, $3 for ages 4-9, and kids three and under are free) as the administration is just as committed now to making movie nights affordable for everyone, as they were back in 1948. At the time of this writing, inspired by fond memories of high school dates and family movies, my partner and I went out to Silver Moon to see Beetlejuice Beetlejuice and Transformers One. Between our two tickets, the pizza we split, and two fountain drinks the grand total? Drumroll please… a whopping $35! Compare that to the exact same selections at the Cinemark or Lakeside 18 and you’d be looking at at least a $50 bill for the tickets alone. The staff has done an incredible job of merging the roots of the drive-in with this more modern era, as we were enchanted by the vintage commercials that played at intermission between films. Watching a fudgsicle twirl a baton as a row of ice cream cups high step behind it, I was immediately reminded of John Travolta with greased back hair, a leather jacket, and a broken heart over Oliva Newton-John that he just had to belt out… to the chagrin of all the other couples interrupted in their canoodling. From Mountain Dew commercials from the 1960’s and the ear worm that is “Let’s All Go to the Lobby” you will be charmed and transported to a different time. As it turns out we were lucky to get a spot that night, as Beetlejuice Beetlejuice has been one of their top billed movies. Chip told me that predicting which movies will be hits with the community can sometimes be tricky, as “family-friendly blockbuster movies do best. But sometimes (as is the case with Beetlejuice), remakes of older movies or sequels can do really well, and especially around Halloween you have a lot more people who want to come out to the drive-in to watch a horror movie or two.” He confided in me that Halloween is his favorite season for the drive-in, as the staff decorates a broken down car donated by ARC Towing, and lets the screams commence in a horror marathon. This year’s line-up was Monsters OR Doom and Blum. Other Events There are more unique offerings that the staff present as well, with community fundraisers over the years for cancer patients, Mother’s Day double features, the Rocky Horror Picture show and many other events just as wonderful. During the initial years of the Covid-19 pandemic, the Silver Moon partnered with Harrison School for the Arts to give the Motion Picture and Musical Theater departments opportunities to showcase their work on the big screen to family and friends, while also maintaining safety restrictions. This is truly a group of people who care about making their community’s life better and being a space for fun, the love poured into each parking spot is palpable. In more creative efforts to utilize the space for the community, the staff allows patrons (who ask in advance) to project personalized messages up onto the screen before the credits roll. With things as timeless as birthday celebrations and as sentimental as a proposal, the staff has seen it all. So, pay attention to the screen even before the commercials and credits and you might just be part of someone else’s magical moment. Starting in the 1980’s, in an effort to utilize the space when the sun is out, the theater hosts a swap shop every weekend. The vendors change from week to week, sometimes even day to day, so you never know what you might find. Hit up the downtown Winter Haven or Lakeland farmers markets on a Saturday, then swing by the Silver Moon on Sunday for your market fix and you just might head home with a treasure, or two! So, if you’re someone who wants to support this local gem, do so with gusto! The best way is through their concessions, which are delicious, with everything from hot dogs to ice cream, soft drinks, or a chilly dill pickle if you’re hankering for a salty, crunchy bite. With a little something for everyone, the drive-in adds that perfect level of whimsy to elevate any date, family movie night, or solo outing to something you’ll remember forever. Silver Moon Drive-In 4100 New Tampa Hwy, Lakeland (863) 682-0849 silvermoondrivein.com FB @silvermoondrivein IG @silver_moon_drive_in

Olivia Sanchez is transforming the local beauty scene using an eco-conscious approach with her company, Sudz Cauldron. Passionate about crafting products that are as kind to the environment as they are to the skin, this maker shares the story behind its sustainable practices, natural ingredients, and the mission to make beauty routines more earth-friendly. Olivia was born in Illinois and moved to Haines City in the sixth grade. She went to Polk State College for her AA, the University of Southern Florida for her undergraduate studies, and then Saint Leo University for her master’s in human resources. She began her career working for the City of Winter Haven with a passion for helping people and the hope of making a positive impact on the community. She loved beginning her career with the City, but there was another side of her that was also passionate about creating a sustainable lifestyle. “I made a change in my life to embrace a more sustainable lifestyle, and this is what really led to Sudz Cauldron for me. I was becoming more intentional about the products I was using every day, and the companies I was supporting,” Olivia said. She realized she was being very wasteful. “I would pick up shampoo and if it smelled nice, I used it. This journey really led me to becoming more in tune when it comes to my health, and my hair health.” It started with her own hair. She could never find something effective to work on her hair. “When it came to my hair, I felt like I’ve always hated it. I didn’t like how dark it was, how oily it was. And really, embarking on this journey has what really made me become more fascinated with ingredients and formulating my own solutions eventually.” This led to the creation of her shampoo and conditioner bars. Imagine a little bar of soap, but for your hair. The only packaging is a little paper box made from recycled materials. One of Sudz Cauldron’s shampoo bars is equivalent to about four bottles of store-bought shampoo, depending on how often you’re washing, the length of hair, etc. Olivia would sit in her car on lunch breaks and research. She learned about different ingredients and how just one ingredient could drastically change how something works. She started experimenting and making her own shampoo. After going to work and having people comment on her hair, she was so happy to tell them that she was making her own products. “I found that there were so many other people like me, and at the time there wasn’t anything around here that was a sustainable eco shop where I could have that easy access to products that could help me through this journey. At the time I was making a lot of my own products. It was primarily the hair care products but I was also making my own toilet cleaners, my own kitchen cleaners and other things. But the hair care aspect is something that I just fell in love with.” Sudz Cauldron is a lifestyle. They offer seven products: four shampoo bars and three conditioner bars. All of them are formulated completely differently. “It took me forever to formulate all of these different product lines, but, it’s necessary. There is a need for people to find something for their dryer scalp, or oilier hair or curls, I want them to have access to that.” Her goal is to have her shampoo and conditioner bars be so good that you ditch plastic entirely. But it doesn’t end there. This is not just an eco-conscious company but an impact-driven company. “My grandparents in Mexico were farmers.” They grew up in a rural area growing livestock, and all of the food that they ate. “I’ve always had this passion of supporting farmers through my business. A lot of the ingredients, like our shea butter, our cocoa butter, and Jamaican black castor oil are all sourced through fair-trade suppliers. The ingredients are literally handmade, and they give back to the farmers by supporting them with fair wages and better working conditions.” Alongside Sudz Cauldron, Olivia is also working with two other women in Polk County to launch a business called Latinas Profesionales in Action (LPA). “It’s an opportunity not just for Latinas but for women who are like me,” she said. “Starting a business from the ground up is challenging when you don’t have access to the right resources or connections. At LPA, we want to offer that support to women who are ambitious about their own businesses.” Her advice for aspiring entrepreneurs? “Don’t be afraid to try.” “I had no clue before this, I didn’t know what was in shampoo, how do you make it, how does it lather?” She continued, “I started off doing farmers markets. I’m finally in this space where I’m trying to expand and reach more customers who are wanting these kind of products throughout Florida and expanding into other states, just being able to make our products more accessible.” She smiled and added that she didn’t want to say anything right now, but there is more to come. “With Sudz Cauldron products, you’re getting something that’s truly made with intention, with better quality ingredients, again the environmental impact as well. There’s so many bonuses to that.” Shop & find out where you can buy her products locally at sudzcauldron.com . IG @sudzcauldron FB @Sudz Cauldron Find Latina’s Profesionales in Action IG@latinasprofesionalesinaction

We caught up with the co-founder of the Orange Blossom Revue Americana Music Festival, Rusty Ingley. With the festival set to bring a blend of folk, bluegrass, and roots music to the local stage, we wanted to learn more about the inspiration behind it, the journey to make it happen, and what makes this celebration of Americana so special. Rusty shares his perspective and offers a closer look at the passion driving the festival, the vision for its future, and why it’s poised to be a standout moment for the local music scene. What’s the story behind the festival’s start? How has the festival evolved since its early days? This might be a longer story than you expected, but here’s how it goes... Back in 2009, I was asked to chair the Lake Wales Rotary BBQ; a Lake Wales tradition since 1974. I told the board I wouldn’t do it without Reid (Hardman) as my co-chair, and neither of us knew what we were getting ourselves into, especially when it came to cooking BBQ for 1,000 people! We were young, full of energy, but lacking experience. A few years in, we decided to invite a friend of ours, Sticky Steve and the Pollinators, to come play some Bluegrass music at the First United Methodist Church Fellowship Hall. That performance was incredible and sparked the idea to focus more on music. By 2014, we made the decision to shift away from BBQ preparation and focus more on live music. I had heard of BBQ festivals and convinced Reid that we should host one, combined with live music. I told him it would be much easier than making BBQ for the Rotary event—boy, was I wrong! We started a BBQ competition with the Florida Barbecue Association and brought in live bands from across Florida. We even created a small vendor area called the Florida Tastemakers Marketplace with vendors from around the state. Things progressed until 2019 when I ran into issues booking bands. It was tough offering top-tier talent at what was mostly a free event. That’s when I reached out to our current talent buyer. He flew down to Lake Wales, we made a few tweaks, and the rest was history. 2019 was our last year hosting the BBQ competition. In 2020, we took a break due to COVID, and used that time to regroup and reimagine the festival. We came back in 2021 with paid attendance, fences, tour buses, a large stage, a PR team, and a marketing director— all things we never imagined back in 2009. We also parted ways with the Rotary Club (on good terms) and established our own foundation, Blossom Charitable Foundation, Inc. We felt the festival was too big a gamble for Rotary, so we took it on ourselves. That first year back, we had Blackberry Smoke and The Wood Brothers as headliners, along with an incredible lineup of musicians. It was a huge milestone. We thought we had found the formula for success, but every year since has proven that we’re still growing and learning. The festival has expanded beyond what we ever imagined, with bigger talent and more volunteers. It’s been an incredible journey, and we’re excited to see where this ride takes us. We couldn’t have done it without the amazing fans who’ve joined us along the way. Ten years of music! What’s been the most memorable performance at the festival over the past decade? The most memorable performance for me was probably Langhorne Slim. He’s an amazing entertainer who had the audience in the palm of his hand. He came out into the crowd, sang with everyone, and even danced with some of the ladies. His ability to connect with the audience on that level was truly unforgettable. Americana music has deep roots. How does this festival celebrate both the traditional and modern sides of the genre? This year, we’re featuring Robert Earl Keen, a veteran of the Americana scene. Americana has been around for ages, but it gained more popularity in the 1990s, thanks to the Americana Music Association. Robert Earl Keen has been a key figure in the genre for years, and it’s an honor to have him. We’re also showcasing 14-year-old mandolin virtuoso Wyatt Ellis, who’s recently burst onto the scene and is quickly gaining a following. The mix of seasoned veterans and fresh talent is how we celebrate both the traditional and modern sides of Americana music. What special activities or surprises can attendees expect this year? You never know what might happen! In previous years, we’ve had some incredible surprises, like Oliver Wood from The Wood Brothers joining Allison Russell for a performance of “Stop Draggin’ My Heart Around” by Stevie Nicks and Tom Petty. We’ve also seen Blackberry Smoke team up with Roosevelt Collier for a spontaneous collaboration. Those kinds of magical, unplanned moments are what make the festival special. For the last few years, our festival logo and t-shirts have been a huge hit; very distinctive with a wildlife theme. This year it’s a black Florida Panther. Gold Tone Music Group, a well-known luthier out of Titusville, will be vending on site. That’s really exciting and a first for us. Who knows what other surprises this year might bring? What role does the local Lake Wales community play in making this festival a success year after year? The local Lake Wales community plays a crucial role in the festival’s success. We’ve received amazing support from friends, family, and even people we didn’t know. Local businesses have been generous sponsors, and we’ve made discounted tickets available for locals. All of our volunteers are local, including a lot of highschoolers who grew up working the event. We have an inner-circle of volunteers who have been there every year. That’s been especially key to our growth, knowing that particular aspects of the event are in trusted hands. The community has really embraced the festival. Two years ago, on their way to a state championship, the Highlanders had a football playoff literally across the street from us. It was a wild night and many came to the festival when the game was over. The community’s been with us every step of the way, and we’re so grateful for their continued support, helping us aim higher and dream bigger. How do you see the next 10 years shaping up for the festival? The next 10 years? It’s hard to say for sure, but we’re definitely feeling the growing pains. We love the size and intimacy of the festival now, but we’re also looking for ways to grow while maintaining that feel. Our venue on the lake and under the oaks is breathtaking. We’re adding a second stage this year and have a vision for two more nearby one day. We’d like to bring in bigger headliners, and we’ve learned the value of bringing in professionals who can help us see things differently. We’re always talking to people who can take the festival to the next level. It’s exciting to think about where we’ll be in a decade! If the festival had a ‘greatest hits’ playlist from the past decade, which songs or artists would be on it? That’s a tough one! But a “greatest hits” playlist would definitely include: The Wood Brothers – “Postcards from Hell” Robert Earl Keen – “Feelin’ Good Again” JJ Grey & Mofro – “Lochloosa” Margo Price – “Hurtin’ (On the Bottle)” Langhorne Slim – “The Way We Move” Mike and the Moonpies (now Silverada) – “Paycheck to Paycheck” The War and Treaty – “Are You Ready to Love Me?” Blackberry Smoke – “Ain’t Got the Blues” And there’s more, but those songs and artists have really defined the festival’s spirit over the years and moving forward. DECEMBER 6: The War and Treaty Robert Earl Keen Wyatt Ellis DECEMBER 7: JJ Grey & Mofro Steep Canyon Rangers Emily Nenni Sam Grisman Project Van Plating The Orange Blossom Revue is December 6 & 7 at Lake Wailes Park in Lake Wales. 33 N Lakeshore Blvd Lake Wales, FL orangeblossomrevue.com IG @orangeblossomrevue FB @OrangeBlossomRevue

A familiar holiday tradition is getting a fresh touch this year! While there’s a new face behind the festive magic, the heart and soul of Carols in the Park remain the same. The new team is dedicated to keeping the holiday spirit alive, with all the twinkling lights, handcrafted treasures, and cozy treats you know and love. They’re adding a sprinkle of new surprises while holding tight to the timeless charm that makes the market so special. We sit down with Destroyer Media & Marketing Event Director Lyndsey Venrick and Publisher Chris Sexson about Holidays on Central. Why did you feel it was important to take the reins of Carols in the Park? LV: When we heard it was ending, we knew we couldn’t let the community lose such an important event. We wanted to take this longstanding tradition and reimagine it for the next generation. Finding ways to modernize the event so that life-long residents, recent implants, and today’s families have a holiday event they can enjoy for the next 50 years. Thus, a new event, Holidays on Central, was born. CS: Taking on a community tradition like this is both an honor and a responsibility. Destroyer recognizes how much this tradition means to so many people and to our downtown businesses, and it’s important to carry it forward because it brings people together, brings people to our downtown, and supports local businesses through the holiday season. Which aspects of the event will stay the same for nostalgic attendees? LV: Of course, Santa will be making an appearance and will be available for photos! We will continue to offer interactive activities for the kids, but we are also adding some new activities for adults. Historically, local residents would do their holiday shopping at Carols in the Park, so we are keeping many traditional-type holiday vendors shoppers would expect to find. But, we’re also bringing in a lot of new, unique, and never-before-seen vendors to the area. Shoppers can find the perfect gifts for everyone on their list! CS: We know how important it is to maintain those touchpoints that make people feel at home, year after year. The event serves as the stage for our downtown. We want all attendees to explore downtown, have lunch and dinner, and support our shops. Have there been any challenges in balancing the old and the new? LV: One of the major parts of Carols in the Park was the school caroling performances. We really contemplated if we wanted to continue with the children’s caroling, as we know that families enjoy it. It is a major logistical undertaking, and we felt families may enjoy a more pressure-free holiday event experience. So, we decided this would be one of the key ways we could modernize the event for the future. Instead of caroling, we will feature a student art showcase by the Polk State College art students. At future events, we hope to include other school showcases, perhaps orchestra and band performances from the local high schools and more. We also want to meet the community’s expectation of the event. Carols in the Park went through some changes over the past few years, and we know residents are eager to return to the more traditional event. We hope attendees are pleased with what we bring them, even though it will be a little different from what they are used to! CS: Change can sometimes be met with hesitation, especially when something is so deeply rooted in tradition. This will be our first year and the start of something new. As we move ahead, we have plans to grow and expand the event for future years. This year’s challenge was to keep it going and not let the tradition end. It’s been about keeping the event intact while allowing it to grow in a way that feels natural and exciting. Can you explain the differences between Mistletoe Market & the Bandit Market? LV: Holidays on Central will have over 120 vendors. We’ve got vendors offering inspiring arts and ceramics, beautifully handmade candles and housewares, stylish handmade, upcycled and curated vintage apparel, a huge variety of baked goods, irresistible plants and jewelry, snacks and specialty food trucks… anything you could possibly want at a holiday market, we’ve got it across all three parks downtown. The Mistletoe Market will have many traditional holiday craft vendors- so you can expect to find handmade ornaments, stockings, décor like you would find at past Carols in the Park events. The Bandit Market is an alternative shopping market and was previously held inside the Ritz Theatre over the past few years. We are bringing those vendors to Holidays on Central! These are vendors from Orlando to Tampa and everywhere in between. Their offerings are unique, unexpected and definitely not traditional. You’ll find some spooky vendors and some that are rated PG-13. What can guests expect that day? LV: An easy and light-hearted holiday experience! Holidays on Central is absolutely stacked with amazing vendors and experiences. Also, the Polk County HUB will have a gift-wrapping station where all proceeds go right back to the HUB’s efforts. Stop by the info booth for a fun activity and to pick up a free Holidays on Central tote bag (while supplies last). Spend the whole day eating and shopping your way around Winter Haven’s downtown parks. CS: Guests can expect a day filled with holiday magic. From the moment they arrive, they’ll be immersed in a festive atmosphere filled with the joyful energy of the season. There will be a range of activities for all ages, delicious seasonal treats, pics with Santa, of course, and the chance to browse through both markets to find the perfect locally made gift or decoration. It’s a day designed to create memories—whether you’re continuing a long-standing tradition or experiencing it for the first time. Holidays on Central is December 7 from 10 am – 4 pm in Central Park in Winter Haven. Find more information on Facebook @destroyermediaandmarketing or online at destroyermediaandmarketing.com .

Named by French critics to describe films based on mid-20th-century crime fiction, noir features a style and language unique to itself. These films often center on stories told from the viewpoint of morally gray or explicitly criminal protagonists, with shadows used so powerfully that they become central characters themselves. With the Second World War behind us, writers could more freely question the nature of crime, our economic structure, and the moral dilemmas hidden behind the curtain, down dark alleys, and in the hearts of those who knew things were never as simple as they appeared. In our cultural consciousness, there now lived the awareness of a darkness so heinous we knew it did not disappear from our world on May 7, 1945. We now had the freedom to approach storytelling with a cynicism almost unthinkable during the bleak years of the Depression when escapism reigned, or during the war era, when we did not have the luxury to stand uncertain, moral compasses shaking in our hands. Writers of crime fiction began to challenge the notion that contentment was a reward all men could earn through honest work, the idea of women as eternal guardians of morality, and what life looked like for those who lived outside the bounds of light and law. My journey into the back alleyways of noir began long before the first time I would see the screen shadows I had come to adore so deeply that I felt like I had a duty to share them at every opportunity. It came with early exposure to the works of Charles Dickens and a class reading of “Wuthering Heights.” From Dickens, I became enchanted with the interconnectedness of the lives of those living within the same city— that the actions made by them, because of them, or with little obvious connection to them would create stories that had less obvious heroes and villains. Stories like “Wuthering Heights” gave me a burning desire for characters that seemed damned before they had even begun, with pasts limiting all futures, and with reasons to empathize with one who may seem to be in the wrong. It was this mirroring of the complexities, this greying of moralities, and this call to reconsider wrong that led me to the lonely places, to answers only found from out of the past, and to know each of the lives of Harry Lime. I would travel beyond the mid-century and the years of film without colors—into such a diverse application of noir that I could write a hundred articles exploring each leg of the journey. The debate over the classification of noir film swings between a true “genre” and a “film style.” The emergence of neo-noir films in the late seventies and early eighties gave validation to the argument that noir is more of a language within film—a language that is accompanied by certain stylistic elements but not beholden to them. Noir films exist within cyberspaces, futuristic metropolises, gritty daylight realities, and in the areas protected by caped crusaders because the stylistic influences of classic noir live within them so vividly. The ancestors of noir are those crime films from the 1930s such as “The Public Enemy” (1931) and “Scarface” (1983), the “Thin Man” (1934 – 1939) series, and from the German expressionist films “M” (1931) and “The Testament of Dr. Mabuse” (1933). Within them are found the fatalistic stories, shadow worlds, and criminal elements that created our classic ideas of the noir film but also informed the future of neo-noir. We learned how to slip into the story of a lone wolf detective, to question the motives of that gorgeously dressed woman who knows much more than she is letting on, and to revel in the streetscapes that are not well-lit. Films like “The Maltese Falcon” (1941), “The Big Sleep” (1946), and “Double Indemnity” (1944) gave us character archetypes that would manifest themselves into those hard-boiled detectives in “Se7en” (1995), “Devil in a Blue Dress” (1995), and “Chinatown” (1974). Moral ambiguity and quests for answers set up fantastic worlds of crime, inviting us on a ride along into the darkness. We may have started in the Los Angeles of the early fifties, but we would continue into the futurepast year of 2019 in Ridley Scott’s “Blade Runner” (1982), a film that marries the influences of noir with science fiction in the readiest example of neo-noir and its ability to transcend predictable hallmarks while retaining its essence. Often referred to as “tech-noir,” this subset of science & shadow carries within it films such as “Minority Report” (2002), “Dark City” (1998), and “The Matrix” trilogy (1999 – 2003). Stories of men on missions of vengeance and vigilantes lend themselves gloriously to the ever-evolving world of noir and have never been limited to offerings from our shores. From “Le Samouraï” (1967), a French film about a meticulous hitman spotted by a witness leaving the scene of a job and the twenty-four hours following his exposure, to the “John Wick” series beginning in 2014, following the reluctant return of a legendary hitman to the criminal underworld after retiring—beginning with an insult so grievous that the only fitting reply is revenge. Park Chan-wook’s “Oldboy” (2003) details vengeance painstakingly planned and executed with a brutality made sympathetic by excellent storytelling. The trajectory of noir influences is deeply and deliciously intertwined with stories of masked heroes and villains. The shared literary lineage of the detectives of the pulp novel and the superheroes of the comic book builds worlds made more real by the inclusion of street-level stories, characters working within, without, and in between the law, and the many stylistic visual elements that can take a golden-age hero into times that feel more relatable while still retaining an atmosphere of the fantastic. From early serials to stylized animated depictions to graphic novels written as noir imaginings, the union of comic book and noir film continues to bring forth films able to attract audiences on the fringes of fandom, from the noir-fused stylistic visuals of the film adaptation of the Frank Miller graphic novel “Sin City” into a 2005 film to the darker dawn of Gotham City in Christopher Nolan’s “Dark Knight” Trilogy and more recently 2022’s “The Batman”— featuring storytelling, dialogue, and visual elements breathing new life into both genres. Influences gained by the noir film, as they existed before named, in its subsequent golden and bronze ages, have no limits in application to other genres, for shadows show up everywhere. Whether you travel backward, forwards, or somewhere in between this month; I wish you a happy Noirvember.

Fall in central Florida may not bring the dramatic color changes seen in other parts of the country, but that doesn’t mean it lacks seasonal beauty. In fact, if you take some time to observe our unique environment, you will see that there are a variety of native plants that offer that seasonal color change we all crave this time of year. Whether you’re a seasoned gardener or new to the world of native plants, there are plenty of options to bring the essence of fall to your landscape. FALL FLOWERS: A TIME FOR FLORIDA NATIVE WILDFLOWERS TO SHINE Some people might think of fall as a time when gardens fade, but in central Florida many flowering plants shine in the fall. October and November are prime months to enjoy some of the most colorful blooms in our region. Native wildflowers can be planted in home landscapes and can be combined with existing plants to add a pop of seasonal color…the Florida way! Goldenrod is a tall native wildflower with bright yellow flowers that adds a cheerful splash of color to the fall landscape. It has an undeserved reputation for causing allergies (a myth) so it’s often not utilized in the landscape. Goldenrod thrives in various conditions from dry, sandy soils to moist areas. In addition to its beauty, it supports local wildlife, including beneficial insects and pollinators. Coreopsis (Coreopsis sp.), the Florida state wildflower, also known as tickseed, produces sunny yellow blooms that brighten gardens and roadsides this time of year, complementing the warm autumn tones of other wildflowers like goldenrod and blazing star. This native wildflower is easy to grow and thrives in well-drained soils. It can be planted in beds, borders, or naturalized areas for a bright pop of color throughout the summer and fall. A striking addition to the fall wildflower palette is blazing star (Liatris sp.), a tall, spiky wildflower that produces bold purple blooms late summer through fall. The vertical flower spikes add height and drama to the garden and attract pollinators. Blazing star is drought-tolerant, and it makes an excellent companion to goldenrod, muhly grass, or other native wildflowers. GRASSES: TEXTURE AND BLOOMS IN FALL FLORIDA GARDENS Native grasses in Florida offer more than just greenery— they bring texture, movement, and a sense of seasonal change to the garden. These grasses are not only FloridaFriendly native plants, but also provide habitat for wildlife and contribute to a sustainable landscape. Fakahatchee grass (Tripsacum dactyloides) is a tall, clumping native grass that thrives in dry to moist soils and brings both height and texture to the garden with its bright green leaves and reddish-brown flower spikes. It provides a lush, architectural element to your autumn garden. There is also a dwarf species (Tripsacum floridanum) available that will grow to only 2-3 feet high. Sand cordgrass (Spartina bakeri), another native, is wellsuited for both wet and dry areas. Its golden-brown seed heads in the fall complement the warm tones of autumn, creating a natural transition as other plants begin to wind down. The showiest blooms of the fall are found on the muhly grass (Muhlenbergia capillaris). Known for its airy, pinkishpurple flower plumes, this native grass creates a dreamy, soft backdrop in any landscape. In October, its delicate flowers form in masses, swaying gently in the breeze and catching the soft autumn light. It grows to only 2-3 feet and can live in a variety of conditions. This is a great native grass suited to most landscapes in central Florida. SEASONAL FOLIAGE: EMBRACING EARTHY TONES, THE FLORIDA WAY Though we may not get the bold reds and oranges of northern deciduous trees, Florida still has plenty of foliage that evokes fall. Consider incorporating plants like Coontie cycad (Zamia pumila), which offers a deep, rich green year-round. Coonties are drought-tolerant, grow in sun and shade, and can be used as groundcover or as a feature plant in a larger bed, providing evergreen structure during fall’s more subdued months. They provide a great backdrop for your colorful wildflower plantings. For a bit of fall drama, beautyberry (Callicarpa americana) is a showstopper. This native shrub produces clusters of bright purple berries along its stems in late summer and early fall, standing out against its green foliage and bringing an unexpected pop of color. Beautyberry not only adds visual interest but also provides food for birds and other wildlife in the garden. Many other native shrubs have foliage that will change to that familiar red, orange, and even purple that evoke traditional fall foliage. Plants such as oakleaf hydrangea, firebush, and even the statuesque cypress present seasonal foliage changes. CREATING A FLORIDA-FRIENDLY FALL GARDEN When planning your central Florida landscape, think about how color and texture can be used during all four seasons. Select plants that bloom during different times of the year and pair them with native grasses for contrast. Add in evergreen shrubs like coontie cycads. Consider elements such as colorful peeling bark and the branch structure of deciduous plants as part of your landscape design. Don’t forget to provide for pollinators ensuring your garden is buzzing with life (and color!) well into the cooler months. By embracing native grasses, fall-blooming flowers, and plants that provide texture and color, you can create a fall garden that celebrates the unique qualities of central Florida’ natural landscape while supporting local wildlife. Whether you’re starting from scratch or looking to refresh your existing garden, the possibilities for bringing fall’s beauty to your central Florida yard are endless. If you have gardening or landscaping questions, contact UF/IFAS Extension Polk County at (863) 519-1041 or visit us online at http://sfyl.ifas.ufl.edu/polk . The Plant Clinic is open Monday-Friday, 9:00 am-4:00 pm to answer your gardening and landscaping questions. Give us a call or email us at polkmg@ifas.ufl.edu . To learn more about gardening and landscaping in central Florida, listen to the Your Central Florida Yard podcast. You can find the podcast wherever you listen or find out more on our Substack: https://substack.com/@ yourcentralfloridayard. An Equal Opportunity Institution.

As fall arrives in Florida, locals might notice a subtle change in the landscape. While northern states experience dramatic bursts of color from elm, oak, and birch trees, Florida’s fall is more understated. Nevertheless, several native and nonnative trees offer beautiful splashes of color during the fall months. Understanding why these trees change color can deepen our appreciation for the natural beauty Florida provides, even during a season many associate with milder changes. THE SCIENCE OF FALL COLOR CHANGES Why do trees change color in the fall? The process is driven by shorter days and cooler temperatures, which trigger changes in leaf pigments. The main player here is chlorophyll—the green pigment responsible for photosynthesis. As days shorten and temperatures drop, trees produce less chlorophyll, and other pigments in the leaves become visible. Carotenoids provide yellow and orange hues and are present year-round but masked by chlorophyll. Anthocyanins contribute red and purple tones. Unlike carotenoids, they are produced in late summer and fall. And tannins create brown colors, often found in oaks and species that hold onto their leaves longer. When shorter daylight hours and cooler temperatures signal trees to slow down growth in preparation for winter, chlorophyll breaks down. As the greens fade, the vibrant yellows, oranges, reds, and browns that were previously hidden by the chlorophyll become visible, marking the transition into fall. CLIMATE AND FALL COLORS IN FLORIDA Because Florida experiences a much milder fall and winter, many tree species don’t experience the sharp temperature drops that trigger vibrant color changes seen in other parts of the country. As a result, the transition is often more gradual and subtle, with some trees retaining green leaves into late fall or even winter. Florida’s subtropical climate means fall arrives gradually. Trees in areas with ample rainfall may change color later. Tree health also influences color vibrancy—healthy trees tend to display more vivid colors than those stressed by drought or pests. In urban areas, trees growing in compacted soils may not exhibit the same brilliant hues as their rural counterparts. Furthermore, artificial lighting, such as streetlights, can affect trees’ fall color changes in urban areas. Prolonged exposure to light delays the reduction of chlorophyll, postponing or muting fall colors. Trees exposed to constant artificial light may not change color at all, a phenomenon documented in urban settings. In addition to the subtle changes in trees, another sign of fall in Florida is the browning of aquatic plants in our many lakes. After the first or second strong cold front, you will notice aquatic plants along the shorelines die back, which is a natural part of the seasonal shift. For many Floridians, this change signals that fall has truly arrived. Rather than viewing it as unsightly, it is an opportunity to appreciate the unique ways our environment transitions through the seasons, even in a state known for its milder weather. FLORIDA’S FALL COLORS Though Florida’s fall palette is less vibrant than in more temperate regions, several tree species still put on a show. The fall color change is more noticeable in northern Florida, and central Florida trees may have an even more subdued change. Common species that provide color in Polk County include: • Red Maples (Acer rubrum), with bright red fall foliage along rivers and wetter areas. In irrigated landscapes, red maples can provide a brilliant fall color from its leaves and from its seed casing, called a winged samara. • Sweetgum (Liquidambar styraciflua), displaying yellow, orange, red, and purple hues. • Bald Cypress (Taxodium distichum), turning coppery orange in wetlands before shedding needles. This coppery orange could be called brown, but we prefer the more autumnal “bronze.” • American Sycamore (Platanus occidentalis), whose leaves turn golden yellow before dropping and providing a very satisfying leaf crunch when walked upon. DON’T MISTAKE BALD CYPRESS FALL COLOR FOR STORM DAMAGE After Hurricane Milton, many residents are removing damaged trees, but it’s important not to mistake the natural browning of bald cypress trees for storm damage. Bald cypress (Taxodium distichum) naturally turns bronze or copper in the fall as part of its seasonal cycle. This is a normal color change, not an indicator of injury or death. Before removing any cypress tree, remember that they shed their needles each fall and regrow fresh green ones in spring. Consult with an ISA certified arborist or contact the UF/IFAS Extension Office in Bartow for advice on tree health. You can find a certified arborist at: treesaregood.org/findanarborist EMBRACE THE SUBTLE BEAUTY OF FLORIDA’S FALL While Florida’s fall colors might be more understated than in the northern U.S., they are no less remarkable. Trees like the red maple, sweetgum, and bald cypress offer a burst of color against the backdrop of evergreens and tropical landscaping. Understanding why trees change color can deepen our appreciation of this seasonal transformation. As you enjoy the cooler days of autumn that are on the way, take a moment to observe the natural world around you. Whether it’s the vibrant red of a maple tree or the bronze glow of a bald cypress, Florida’s fall colors are a reminder of the state’s rich biodiversity. Consider planting a native tree in your yard to enjoy seasonal color and support local wildlife. For more information about fall colors, local tree species, or how to care for trees in your yard, feel free to contact us at the UF/IFAS Extension Polk County Office or reach out to me on social media. You can find us at facebook.com/polkextension or on Instagram at @PolkNR.

The railroad brought development to central Florida and Polk County. Travel guides and brochures from the 1870s and 1880s describe the area as a “cattle region” and “in many respects one of the most desirable portions of Florida.” The printed materials describe clear lakes, beautiful streams, first-rate pine and very productive clay subsoil. In May of 1883, J. Blount and W. T. Whitledge (Bartow realtors and merchants) developed a town plan based on a grid system of blocks and tiers... a pattern that still exists today. The plan was divided into commercial, residential, and farmland areas. At the center a central park, oriented north-south, it ran two blocks bracketing the South Florida Railroad property. Blount and Whitlege sold the first portion of their holdings to early settler Fredrick Amasa Knowles (F.A.K.) Harris who arrived in the area during 1884. Families such as the Eycleshimers, Jacksons and Sykes were in the area but not residing within the newly platted village. Peter D. Eycleshimer was among the first to purchase land within the village as yet unnamed. Harris came to the area from Vermont after a tragic stay in Nebraska where his wife, Adele, was injured in a tornado. The Harrises (including one year-old son Bert) built both the first commercial and residential structure within the limits of the newly platted village. The family opened a mercantile business on the first floor and lived upstairs. The railroad was under construction at the time and Mrs. Harris sometimes cooked for the workers. For a short time, the railroad workers referred to the new settlement as “Harris Corner.” The Harris store was located at the corner of Fifth Street and Central Avenue N.W., facing east toward Central Park. Mrs. Harris is remembered as a formidable presence, managing at times both family and business while F.A.K. was out of town. The story is told that on one occasion she sent son Bert to the kitchen to get bread. When he opened the breadbox there was a rattlesnake inside. Mrs. Harris, known to wear a firearm, proceeded to send the snake to its reward. Bert survived unscathed. Mr. Harris is known as the “Father of Winter Haven” for having built the first building in the “town proper” or within the village limits. He also served as one of the village’s first postmasters. When Winter Haven formally incorporated in 1911, he served as a town councilman. Winter Haven adopted the city manager form of government in 1923. Harris descendants still live in the Winter Haven area. WHITLEDGE OR WINTER HAVEN? THE VILLAGE IS NAMED The land where Winter Haven exists today was owned earlier by an English company known as the Florida Land and Colonization Company. The home office was in London. Writing in her book “The History of Winter Haven,” Josephine Burr noted that “the company owned large portions of area land as late at 1882 but that Sydney O. Chase of the Chase and Sanborn Coffee Company owned a big portion up to 1884 and possibly later.” Both F. A. K. Harris and Peter D. Eycleshimer arrived in the as-yet-unnamed village of Winter Haven in 1884. In fact, Eycleshimer arrived alone before Harris. Second in line to purchase land within the plat, he then returned home to Tomhannock, Rensalear County, New York for his family. While Harris has the distinction of purchasing the first land in the newly platted village, Eycleshimer and his wife are credited with naming the community. While Eycleshimer was home getting his family, the Realtors Blount and Whitledge contacted him asking his thoughts on naming the village “Whitledge.” In the meantime Mr. Whitledge expressed his reluctance to put his own name on the town and asked Mrs. Eycleshimer if she could suggest a better one. In discussions with her husband they considered the possible future of this area of many lakes. They thought the town should suggest the reason for its existence – not only as a railroad stop and post office – but its potential as a winter resort. The Eycleshimers tested a number of descriptors with the word “Winter” finally settling on Winter Haven. Mr. Eycleshimer wrote Whitledge that he saw two options: - If the town was to be a business center with post office and shipping facilities, then Whitledge seemed a good choice. - But if the long-term goal was a beautiful winter resort, then Winter Haven would be a better name. According to the late Richard H. DeMott, Sr., on May 6, 1885 all streets, avenues and alleys were dedicated as though Winter Haven was a small city – in spite of the fact that very few existed except on paper. NO, THE NAMES DID NOT GET MIXED UP! A rumor persists that Winter Haven’s name was supposed to be Lakeland and vice-versa. The simplest explanation is the fact the Eycleshimers did not suggest “Lakeland.” But further documentation indicates Lakeland incorporated on January 1, 1885. Winter Haven was incorporated on June 22, 1911. The name “Lakeland” might have been more descriptive considering our numerous freshwater lakes… but it had already been taken by our sister city. Next month: The Inmans and Florence Villa Bob Gernert is a student of Winter Haven history and founded the Museum of Winter Haven History at the historic Women’s Civic League building on Lake Howard. If you have questions or information to share, please email bobgernert@gmail.com or telephone 863-206-6855.

WICKED By Gregory Maguire I grew up reading the “Wizard of Oz” books, but I reengaged with the story on a whole new level after reading Gregory Maguire’s “Wicked.” This mesmerizing novel is a journey with familiar characters told in entirely new ways. Rediscover Elphaba and Glinda as they navigate the complexities of friendship, ambition, and the blurred lines between good and evil. I recommend reading this book before seeing the movie and experience the unforgettable tale. THE THICKET By Joe R. Lansdale I am not usually into Westerns, but this is a twist on a classic coming-of-age tale. When young Jack’s sister is kidnapped, he must navigate a treacherous landscape of cutthroats and scalpers to rescue her. So, he assembles an eclectic band of misfits, including the charismatic Shorty and the conflicted Eustace, to help. It’s a memorable cast of characters that become deeply intertwined in this dark yet humorous story, and Lansdale captures the essence of the people and their surroundings with remarkable authenticity. “The Thicket” is in theaters now - with Peter Dinklage as the bounty hunter. MICKEY 7 By Edward Ashton Edward Ashton’s riveting tale, “Mickey 7,” follows the journey of Mickey, a disposable clone on a mission to colonize a distant planet. As Mickey confronts the harsh realities of his existence, the narrative explores identity, morality, and what it means to be human. The book is filled with razor-sharp dialogue, pulse-pounding action, and enough light humor to keep the pages turning. The upcoming release of the movie, “Mickey 17,” in 2025 has me particularly excited to see how the story is adapted for the screen and how the characters and complex themes are brought to life. SMALL THINGS LIKE THESE By Claire Keegan “Small Things Like These” is a short novella set in the cold Irish winter of 1985. The story follows Bill Furlong, a coal and timber merchant with a kind heart. Keegan’s writing draws you into a tale that is as much about personal integrity as it is about systemic cruelty. I found this beautifully crafted story a must-read because it considers the true meaning of kindness and the importance of standing up for what is right. The movie, starring Cillian Murphy, opens this month. THE NICKEL BOYS By Colson Whitehead This Pulitzer Prize-winning novel sheds light on the dark history of the Nickel Academy, a fictionalized interpretation of the Dozier reform school in 1960s Florida. The story is told through the eyes of two young boys fighting for survival. It is a haunting yet essential read that probes the systemic injustices of the past and the lasting impact they have had on society. At its core, though, the novel also examines the deep bonds of friendship. Colson Whitehead is a master of weaving words into beautiful prose that resonates with emotion and social commentary. The movie is released this month, and I can’t wait to see how the book will be brought to the screen. CURTAIN CALL By Anthony Quinn I love a classic whodunit, and “Curtain Call” is that plus more. The novel is a blend of historical fiction and mystery set in London’s vibrant theater district during the tumultuous years of the late 1930s. Against the backdrop of significant events like the abdication crisis and the rise of Fascism, the novel explores the lives of actors, critics, and society figures, each with their own secrets and struggles. The writing captures the hedonistic spirit of the time while maintaining clarity and wit; the pacing is perfect for a fast read. The newly released movie “The Critic” is based on this book. LOST ON A MOUNTAIN IN MAINE By Donn Fendler This page-turning true story recounts the experience of twelveyear-old Donn Fendler, who became lost while descending Maine’s tallest mountain, Katahdin, in the summer of 1939. After a sudden fog disorients him, Donn embarks on a nine-day ordeal, navigating the wilderness with only his scout’s training and unyielding optimism. The book includes photos and maps that help bring the story to life. This thrilling adventure is also a cautionary tale about the unpredictability of nature that can be read by both kids and adults. The movie opens this month and looks to round out the story by adding the emotional impact as the community desperately looks for Donn. THE OUTRUN By Amy Liptrot After living a life of addiction in London, Liptrot recounts her journey back home to Scotland’s Orkney Island. This memoir not only focuses on the bleakness of her addiction but also her transformation through recovery as she learns to navigate life again. What truly captivated me was Liptrot’s unique storytelling style, especially when she describes the rugged and wild landscape of the islands. The fictionalized version, starring Saoirse Ronan, is out in theaters now.

WANDERING STARS By Tommy Orange Tracing the legacies of the Sand Creek Massacre in 1864 to the aftermath of Orvil Red Feather’s shooting, Opal tries to hold her family together while Orvil becomes reliant on prescription medications, and his younger brother, suffering from PTSD, secretly enacts blood rituals to connect to his Cheyenne heritage. BY THE FIRE WE CARRY By Rebecca Nagle An award-winning reporter and member of the Cherokee Nation recounts the generations-long fight for tribal sovereignty in Eastern Oklahoma and the 1990s murder case that led the Supreme Court to reaffirm native rights to the land. THE MIGHTY RED By Louise Erdrich Pulitzer Prize and National Book Award-winning author tells a story of love, natural forces, spiritual yearnings, and the tragic impact of big business and uncontrollable circumstances on ordinary people’s lives. THE BERRY PICKERS By Amanda Peters Growing up as the only child of affluent and overprotective parents, Norma, troubled by recurring dreams and visions that seem more like memories than imagination, searches for the truth, leading her to the blueberry fields of Maine, where a family secret is finally revealed. FIREKEEPER’S DAUGHTER By Angeline Boulley Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. After witnessing a tragic murder, Daunis finds herself involved in an FBI investigation into drug trafficking in her community. However, the investigation will uncover secrets and threaten many people. THE REDISCOVERY OF AMERICA By Ned Blackhawk The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This sweeping and overdue retelling of U.S. history recognizes that Native Americans are essential to understanding the evolution of modern America. MAN MADE MONSTERS By Andrea L. Rogers This horror anthology follows one extended Cherokee family’s encounters with the supernatural and violence across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our present, and well into the future. THE TRUTH ACCORDING TO EMBER By Danica Nava A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this charming rom-com about the hard decision to either stay silent or to be your authentic self, even if it could cost everything. REZ BALL By Byron Graves When the varsity basketball team members take him under their wing, Tre Brun, representing his Ojibwe reservation, steps into his late brother’s shoes as star player but soon learns he can’t mess up—not on the court, not in school and not in love. EXPOSURE By Ramona Emerson Detectives in Gallup, New Mexico consider calling in Rita Todacheene, an Albuquerque PD forensic photographer who sees ghosts, after a serial killer targets indigent, local Native people in the second novel of the series following “Shutter.”

1/4 cup loose Earl Grey tea or 4 bags 1/2 cup honey 4 sprigs thyme, plus more for garnish 2 sprigs rosemary, plus more for garnish 1 cup fresh lemon juice 1 1/2 cups bourbon 1/2 cup Cognac or brandy 1 teaspoon orange or regular bitters In a small pot over medium heat, bring honey, thyme, rosemary sprigs, and ½ cup water to a gentle simmer, while stirring. Let cool, discard herbs. In a large bowl, combine tea and 1 ¼ cups boiling water. Let steep 5 minutes, strain through a fine-mesh sieve into a measuring cup. You will need 1 cup of liquid. Let cool. In a punch bowl or large pitcher, add tea, honey syrup, lemon juice, bourbon, Cognac, and bitters. Stir. Serve over ice garnished with herbs. Ages 21+ only, please drink responsibly.